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Steven J. Bachelor, Quetzil E. A pioneering volume of cultural studies that will show the field how far we have come. Gilbert M. Fragments are the only form I trust. It could be a mural, one so familiar that we buy postcards of it without bothering to visit it first. Three scenes would occupy the foreground of this imaginary fresco. On the left would be the inauguration of President Manuel Avila Camacho, with his signature declaration Soy creyente literally, "I am a believer," but by implication, "I am a Catholic" scrolling from his lips, indicating an end to the Revolution's anticlericalism and radical fervor.
In the center we'd see the brutal massacre of student demonstrators by government agents at Tlatelolco Plaza, rendered in blood red and the black of despair.
And at the right of the mural, marking the end of one era and the onset of the next, we would have President Carlos Salinas de Gortari, luridly depicted in chupacabras regalia, of course, and his neoliberal allies George Bush and Bill Clinton signing the NAFTA accord, with the Zapatista leader of Chiapas, Subcomandante Marcos, posing threateningly behind them, laptop in hand.
This mural's background might feature jagged lines on a graph to represent a national economy that had cycled several times between miraculous expansion and disastrous collapse; or perhaps smoggy crowd scenes to suggest the massive population boom and staggering urbanization of Mexico City and the country at large after ; or maybe even ranks of faceless bureaucrats with outstretched hands to evoke the increasing power, centralization, and corruption of the state.
