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Lalo Guerrero, the son of immigrants from a poor barrio in Tucson, Arizona, was a pioneering musician whose bilingual songs and bicultural persona earned him the honorary title "The Father of Chicano Music. In a career that spanned seven decades, the versatile composer and performer wrote hundreds of songs in an astonishing array of styles, from romantic boleros to folkloric corridos, from comical parodies to rousing protest songs, from mambos to swing, rock, and cha cha chas.
He had several international hit songs, appeared in movies alongside major Hollywood stars, operated a landmark nightclub in East L. But he is perhaps best known for his swing-era dance numbers that were prominently featured in the play Zoot Suit , reviving his career in mid-life and earning him new fans among a young, activist generation of Chicano artists. That was something that was always unfailing with his work -- his great sense of humor and love for life. The boy was named after his father, Eduardo Guerrero Ramirez, a boilermaker who had worked on steamships in the port city of Guaymas, Sonora.
The couple was wed that same year, as street fights raged in town on the day of the nuptials. With the official outbreak of the Mexican Revolution in , the Guerreros crossed the border into Douglas, Arizona, part of a massive wave of Mexican immigrants fleeing the civil war. The couple already had four children when they arrived. Lalo was the first born in the United States, establishing from the start the cultural duality that defined his Chicano identity.
He would be the fifth of 18 siblings, including triplets and double sets of twins, although only 11 survived infancy. Some sources report as many as 27 siblings, but Guerrero dismisses that unlikely figure as a tall tale told by his father. Guerrero draws contrasting portraits of his parents.
