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Nick Monaco is breezing through life as a musician and is a shining example of how paramount it is for young artists to be disparate in their approach to music if they want to standout. There is no one else like Nick Monaco, to be sure. At only years-old, a refreshing air of innocence surrounds the young musician and his music, which moves between playful and funky house anthems to dreamy jams laced with traces of reggae, rock and hip-hop. All together it reminds you of youth and seeps positive vibes into your soul and smiles onto the dance floor.
It helps too that he wears a handsome face and makes elegant music and these androgynous qualities are the pinnacle of his persona. He is also deeply personal and emotional and this has yielded in a few additional performance personas that are a direct reflection of the many moods of Nick Monaco.
So now he wears lipstick in a campaign to banish gender binaries, with all the profits from his own lipstick line called Freak Flag presented to the Jim Collins Foundation which helps pay for gender confirmation surgeries. His story is compelling and with his toes dipped into the Gulf of Thailand, he eloquently explained it all to Mixmag Asia. He talked about his experiences in Asia, what inspires him in the creation of his capricious soundscapes, and how he plans to top a ridiculously productive Asia is a particular place and many indie artists come here and find it challenging.
What perception did you first come here with of the industry and how did it change? My understanding of Asia was kind of wrapped up in my idea of Tokyo and their level of fandom in how obsessed they get with subcultures and music, so I always knew that there were these little pockets of people that like this kind of music. Wonderfruit Festival was more of a mix and while there were a few Thai people, it was still more dominated by tourists. I never feel like I have to change my sound or anything like that and I just kind of do my thing.