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NOTHING is more characteristic of the humorists of the age in contrast with those of previous generations, than their employment of purely mechanical processes to secure a grotesque result; and just as in the decorative arts a similar change has been accompanied with a deterioration in the quality of the product at any rate, in all highly individual work, such as that of India, China, and Japan , so we cannot help thinking that the spread of this mechanical fun is a sign of decadence.
Let us illustrate our meaning. Unless we are greatly mistaken, the modern punster by no means considers that it is necessary for the obvious and the suggested sense to be both appropriate to the context. His strokes of wit depend largely upon a conscious watching for phonetic resem-blances, a shuffling of words, syllables, and initials until the desired result is attained.
Much so-called wit of the present day is nothing more than the systematic torture of words. If in their natural form they will not satisfy the sense of the grotesque, they must be twisted and dislocated, or the shades of Mrs. Malaprop and Mrs.
Burnand, the most characteristic representative of this method. We do not wish to speak slightingly of Mr. In Mr. Employed consciously at first, it becomes almost automatic in the case of some confirmed jokers, — verbal contortionists, whose conversation is as fatiguing to listen to as the dislocations of a mountebank to watch.