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Justin Benson and Aaron Moorhead's work has always been at least in part about intimacy and trust; particularly the intimacy of close relationships, and how problems manifest; and in the case of their films, they often manifest in the form of monsters. Resolution looked at friendship; Spring , sex and love; The Endless takes its cue from family, and is arguably their most intimate and personal work to date.
Harkening back to the world of their first film in a quite literal sense , Benson and Moorhead have crafted the kind of fantastical horror that creeps under your skin even as you are riveted to the screen, where stark, bright colours, and wonderful analog sounds of old video players mix with low growls of giant, unseen creatures; the former will break your heart, the latter will tear it to pieces.
Or so he tells Aaron, in order to justify their escape from what Aaron remembers as a good community, with nice people and plenty of food. Frustrated with their current existence of menial jobs, lack of nutritional food, and no girlfriends, Aaron receives a tape one day from the cult, and convinces Justin to go back with him for a short visit. While there, they are forced to examine their memories of the past, their own fraught relationship, and the monsters that lurk in the metaphorical and literal dark.
The cult at Camp Arcadia seems, at first, to be pretty benign and loving; but as Justin points out, that's how they get you. Sure, they might believe in some strange deity that hovers above them, but if that results in happy lives, the pursuit of interests such as making clothes, archery, and gardening, and everyone is healthy and happy, is that so bad? Not for Aaron, who at first finds peace even if he doesn't understand the underlying problems.