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Book your ticket here! The exhibition places the work of these artists in the context of its time and shows the im possibilities they had to deal with in a male-dominated artworld. Women were only allowed to attend art academies from , and it would take another twenty-five years after that before they were also allowed to paint after nude models. Despite the restrictions, many women still managed to carve out a niche for themselves in the company of their male colleagues.
Charlotte van Pallandt, for instance, was one of the first women artists to focus on sculpture and is now regarded as one of the leading Dutch sculptors of the twentieth century. And Lotti van der Gaag was a fully-fledged member of the Cobra movement, even though this was only acknowledged many years later.
The paintings by Jacoba van Heemskerck and Pau Wijnman, for instance, consist of colourful, abstract shapes from which visible reality has all but disappeared. For many of these artists, social injustice was a recurring theme. Charley Toorop and Anneke van der Feer, for instance, captured the tough lives of working class people in their art, while Nola Hatterman focused on the emancipation of Black people.
Many of the artists featured in the exhibition travelled abroad, for instance to Paris, where they experienced more freedom than in the Netherlands. There they made new contacts and had more opportunity to experiment with new styles. For many women, however, it was difficult to combine their career as a professional artist with having a family.
