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Anthonie Palamedesz. He is in particular known for his merry company paintings depicting elegant figures engaged in play, music and conversation as well as guardroom scenes showing soldiers in guardrooms. Like many Dutch painters of his time, he painted portraits and still lifes, including vanitas still lifes. He further painted the staffage in a few views of the interior of churches. He was born in Leith , Scotland as the son of Palamedes Willemsz.
His father carved semi-precious stones such as jasper, porphyry, and agate into vases and practised other decorative arts. His father had married Maeijken van Naerssen in Leith on 6 June The couple had three children: Guilliaem , who became a tailor, Anthonie and Palamedes I who also became a painter. Anthonie was taught by the leading portrait painter Michiel Jansz. He entered the Delft Guild of St. Luke in or and was hoofdman deacon of the Guild in , , and The couple had six children of whom a son called Palamedes Palamedesz.
The son was traditionally believed to have been a painter, but the current view is that this was likely not the case. His pupils included his younger brother Palamedes, who died young in and was mainly a battle painter, and the painter Ludolf de Jongh. While Anthonie enjoyed considerable financial success in his early years and was able to purchase an expensive house in Delft, his financial situation had declined considerably by when he received an exceptional subsidy from the Delft city counsel.
He moved to Amsterdam to live with his eldest son at Oudeschans. There he died on 27 November and was buried on 1 December in the Oude Kerk [ 2 ] [ 3 ]. He was known for his merry company paintings showing elegant figures engaging in play, music and conversation and his guardroom scenes of military life, which were highly appreciated by his upper middle class patrons.
