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By Rolling Stone. Blasphemy has been an effective attention grabber for centuries, but until , heavy metal had never seen a band go as all-in on Satan as the three lads from Newcastle calling themselves Venom did.
In the early Nineties, Crowbar established themselves as the gruffest act on the bustling New Orleans metal scene. Prog and hardcore punk once seemed like polar musical opposites, but by the late Nineties, a handful of innovative acts had found a way to combine the complexity of the former style with the fury of the latter. So, too, do a couple of searing leads from Kelly Johnson, who remains one of the most underrated guitarists of the era. Millions of unsuspecting viewers would get their first taste of the gruesome tune, and death metal as a whole, when it turned up in an unlikely setting: a club scene from the goofy Jim Carrey hit Ace Ventura: Pet Detective.
But when people were singing on it in the studio, I could tell there was some magic there which was powerful. Then Anthrax drummer Charlie Benante sent him a demo of their speaker-destroying vision. It felt so good, the two groups decided to hit the road together, mounting the first rap-metal tour, during which they performed the song live. And one more thing … Fuck you! The song showcases the singular blend that made the New York quartet one of the freshest heavy acts of the early Nineties, setting burly, hardcore-esque riffs against the emotive, melody-forward vocal style of Mina Caputo.
I concentrated on real life and social issues. It was more down to earth and less mythical. Sometimes, playing well is the best revenge. A squealing midsong solo and pitiless blast beats only add to the chaos. Their debut album, Spit , was an endearingly rough-edged blend of thrash, grunge, death metal, alt-rock, and pure adolescent rage. Its title track is a murderously heavy proto-feminist anthem that takes aim at misogynists and lands a kill shot in under three minutes.