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When the actor asked women to share their erotic secrets for a new book, she found herself rethinking her own relationship with desire - and deciding to have more fun. To her amazement, the year-old discovered she was not herself immune to this inhibition. But writing it down? I got really uncomfortable.
It is not in the spirit of the venture to ask Anderson, who is talking to me on a video call from a hotel in Marrakech, which letter was hers, although the reader will, of course, wonder. For a long time, says Anderson, she was too uptight to let the humour and irreverence of her British side show. The project required her to wade through thousands of sex fantasies submitted anonymously online.
It is hard to imagine a modern version having the power of the original book, which, as anyone who got their hands on a copy when they were slightly too young will know, left certain indelible images. There is a lot of throat clearing around fantasy being a safe space. Anderson is irritated by my characterisation of this, but we will get to that. It specifically involves the dentist chair and being tied down.
Or sometimes I switch between watcher and participant, maybe in a subconscious nod to my daily life as an actor. In my fantasies, I am undoubtedly a director. The privacy of my own mind is the one place where I am truly in control of when, how or even whether I am seen. What I find fascinating about all this is that while Friday was a cranky magazine journalist with no public profile, Gillian Anderson is not only a famous actor, but a famous sex symbol for the 30 years since her role as — to use the language of Want — the smouldering nerd Dana Scully in The X-Files.
