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Menu All All. Sign In. Alexander Hide Spoilers. When "Gladiator" stirred a latent interest in films about the ancient world I was so hopeful we would finally be able to enjoy some exciting cinema about my favorite time period. I have not been totally disappointed.
Brukheimer's "King Arthur" could have used more experienced epic direction but was loosely based on historical accounts of Sarmatian auxiliaries and their commanders in late Roman Britain and I liked the grittier result to the fairy tale legends of my childhood. Unfortunately, Stone managed to take what should have been a ready-made screenplay and solid performances by Angelina Jolie, Val Kilmer, and Colin Farrel and imparted as much insight into the character and charisma of the world's most famous conqueror and military genius as the images of shadowy figures thrashing about in the blinding dust of Stone's Gaugamela.
His opening sequence with Anthony Hopkins, as Ptolemy I, droning on about his memories of Alexander was more protracted than a prologue to a History Channel documentary. In fact, I heard a man behind me mutter something like "I came to watch a movie not the History Channel! The omission of the battle of Charonea was nothing short of a blunder since it epitomized the sharing of military experience between father and son with Philip masterminding the battle and Alexander, a mere years old, leading the cavalry in a critical maneuver to assure the victory.
Stone handles Alexander's tutelage by Aristotle clumsily as well. Instead of focusing on Alexander's insatiable curiosity about the world around him and how Aristotle nurtured his intellect, we see a brief scene where Aristotle is essentially defending Alexander's friendship with Hephaistion to a sneering Cassander.