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Bill Morrissey: Handsome Molly [ purchase ] Bill Morrissey: Birches [ purchase ] His songs were like Elmer Rising's pen and ink masterpieces--you could admire each confidently executed lyrical brushstroke and melodic twist on the finest of scales, and never diminish the overall impression of their honesty and truth. At the height of his powers, on 's Standing Eight, 's Inside and 's Night Train, each Bill Morrissey record contained several songs that each would have been the life's work of a lesser artist.
Darius and I have posted several tracks by Bill Morrissey over the years, including several duets of traditional folk numbers recorded with Greg Brown.
But while I appreciate his handy coverage, and posted several of my favorites back in July over at Cover Lay Down , I'm partial to his more pensive songwriting - I count Mark Erelli's cover of Birches , for example, as one of the better covers in my vast collection, though in this case, at least, it's hard to outdo the original. And Handsome Molly was the very first track of his I heard, way back on Legacy, a folk compilation that perfectly captured the eighties folk movement, and my heart.
But I also owe that song an apology of sorts, one I hope to rectify by sharing it. Because at the time, I wasn't sure what to make of Morrissey's fragile, croaking tenor. It scared me a little, I think; the emotion was raw, and at sixteen, I wasn't ready. And so, although I treasured the album as a whole, I skipped over this track for decades, having not yet outgrown my penchant for the melodic.
