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To browse Academia. The precise artistic investigation of the portraits accomplished in romantic or Biedermeier style is completed by the presence of some compositional portraits in the collections, which bring a note of delicacy and romanticism in an austere environment.
This work intends to discuss about the first generation of Romanian womenpainters within the wider context of the condition of woman within the Romanian society during the end of the 19th century and the beginning of the 20th. The article is an in depth investigation, which brings face to face two almost unknown portraits belonging to the Transylvanian heritage. They represent particular instances, unique traces as an introspective glimpse into the history of an aristocratic family that became extinct more than years ago.
The genealogy of the Korda family is quite intricate, thus, virtually infinite connections begin to unfold, bringing together people, places, stories, houses, objects which sometimes are surprisingly scattered in space and time. The research is contextualised within the broader issue of heritage assets in contemporary Romania. This article is the first part of a larger study dedicated to the works of Hungarian painters and sculptors in the contemporary art collection of the Brukenthal National Museum.
In the spirit of his generation the late 19th century and the beginning of the 20th century , the painter was fascinated with traditional art, folk decorative motives, and life in the countryside in general. He used the decorations on traditional costumes as an inspiring foundation for his church wall paintings; the Strana series captures the Romanian community during the Sunday mass, a context that he used as an opportunity to create different peasant profiles.