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Her guest is Danica Drmalov, a pilot from the vicinity of Mostar, who recounts her personal and political history — her birth into a patriarchal family, her life with six sisters, and a violent father who longed for a son. It continues through the founding of FACK Feminist Action Committee , the organization of a coup, and her eventually becoming a state leader. Marshal Danica is ardently committed to radical feminism, armed with literary knowledge, personal trauma, and a rebellious character.
She criticizes the former party and regime and the brotherhood and unity for forgetting about sisters and sisterhood. It also ignores the fact that women in Yugoslavia were granted the same legal rights as males. Therefore, it appears incorrect to associate feminist language with socialist and anti-fascist sentiments. The performers tell their stories in front of a shimmering curtain. Teuta, an archaeologist educated in Belgrade, narrates from the Bay of Kotor. Her emancipation begins with a science-fictional journey into the depths of the sea, where she meets the Illyrian queen Teuta, who imparts her treasure.
He shows her love by teaching her to shoot with guns. Her feminist self does not exist. From early childhood, she adopts male behavioural patterns, and later in the matriarchy, she becomes similar to men in the patriarchy. The most interesting story comes from Ljupka, a Macedonian sex worker who delves deeper into criminal activities and starts running brothels. There was a missed opportunity for the authors to address the position of sex workers, given that this issue sparks debates within feminism.
Slovenia is represented by a geneticist and representative of transhumanism devoid of any idea of humanism, focusing on the concept of the cyborg immortal human. Most of the monologues feel like blunt instruments, aiming at the patriarchy and missing the mark. The performance requires tighter pacing and a more focused flow of ideas. From a directorial perspective, however, the cabaret format is highly seductive on stage, although there is room for further exploration, especially in the last third of the performance.
