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Ming Thein Photographer. Street photography is a genre that every photographer will try at least once in their career. However, it also requires balls. You have to get close enough to your subjects; and with people, invading personal space is uncomfortable and possibly hazardous to health for both photographer and subject. It takes a huge amount of skill and practice to nail shots this way, because you must be able to both guess focus correctly if manually focusing or know where your AF box is going to go — and at the same time know your lens well enough to visualize the field of view.
You also have to be incredibly fast about it, because moments are fleeting and not repeatable. Not anymore, sadly. They may even strike up a conversation and let you get a few more interesting images. Bottom line: be anonymous, unmemorable, and blend in. Or it may mean using a compact and holding it in your hand, always being aware, and getting a grab frame in whenever you can. This brings me to the real meat of this article: what are the rights and wrongs of street photography? A comment by one of my readers on another post inspired the post; yes, I do shoot a lot of random strangers, especially when traveling, and there are often shots I see but may not take for various reasons.
However, private property is exactly that: private. I think if you stick to what your gut tells you about common sense and public etiquette, then you should be safe.
Prices are the same as normal, however a small portion of your purchase value is referred back to me. Images and content copyright Ming Thein mingthein. All rights reserved. Your article seems to imply that street photographers can sell their work only to news outlets without release forms.
