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To browse Academia. Colin Dorward. The Medieval Genesis of a Mythology of Painting. Chapter one contextualizes this program of research in terms of my practice as an oil painter, where figuration plays a prominent role. Key aspects of my studio work are introduced, such as my commitment to working from observation, as well as more current methods where figuration is achieved through the accumulation of successive layers of paint.
A selection of my paintings is analysed to illuminate interconnections between the studio practice and the program of historical research. The study begins in an Anne Harris. Paroma Chatterjee. Margriet Hoogvliet. Steven Ostrow. Cynthia Hahn. Shamiera Azni. Maria Alessandra Bilotta. Czech and Slovak Journal of Humanities. Historia Artium, N. Simeon Chavel. Ali Akar. Bernard Dov Cooperman. Bianca Contreras. Aji Kukuh Pambudi. Andrikopoulou Irini Rena. Sergey Garkusha-Bozhko. Johny Andres Calderon Baron.
Remandhia Mulcki. Rafael Menezes Bastos. Goonasagree Naidoo. Khoiria harahap Pilar Jimenez Sanchez. Benedetto Vertecchi. Marc Maillot. JMRA Publication. Cymene Howe. Maham Amin. Ionut Ghibanu. Chrysanthus Chukwuma. Natalia Ananjeva. Christine Fernandez-Maloigne. Log in with Facebook Log in with Google. Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link.
Need an account? Click here to sign up. Download Free PDF. Bratislava : Veda, Related Papers. Narrative Studies in Iconography vol. Review of J. Bilotta ed. Translation Martin Styan. Manuscript review Martin Homza, Marian Zervan. English language editing Elizabeth Freeman. Introduction This book is devoted mainly to scenes from the lives of saints in panel paintings originally produced in the northern regions of the Kingdom of Hungary in present-day Slovakia.