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The Doomed Group of Trnava — this is the title I gave to my book on the Trnava group to be published this year, borrowing, to some extent, from Verlaine. The Doomed Poets — as Paul Verlaine called the book on the poets of his generation who gave rise to modern French poetry.
The Trnava Group accomplished something no less significant in another time and another country. Lacking the universal French glamour and appeal, a few words should then introduce the Trnava Group story to the world. Czechoslovakia found itself within the Soviet realm of interest. What proceeded was prearranged under the age old Stalinist recipe — the first years of dictatorship were particularly nasty. Hundreds of innocent people executed, thousands imprisoned. People were normally incarcerated in groups; with each group came a certain label: there were the trials of the Bourgeois Nationalists, Capitalists, Major Landowners, Priests, Zionists; obviously, all the trials were kangaroo courts.
The rest of society did not fare much better either: whatever you possessed was taken away from you — property, jobs, education, travel, religious life In brief, the society as a whole was deprived of freedom.
Culture and the arts, too, were deprived of their freedom of expression. Some artists did not yield to the pressure to write articles in promotion of judicial murders and insist on the most severe punishment for the innocently convicted including their former colleagues.