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Gregory Crewdson American, b. I have so many exhibitions to post within the next few weeks that you get two postings this weekend and next weekend! Many thankx to the Albertina Museum for allowing me to publish the photographs for the posting. Please click on the photographs for a larger version of the image. Since the mids, Crewdson has been using the backdrop of small American towns and film sets to create, like a director, technically brilliant and colourfully seductive photographs that focus on human isolation and the abysses of society.
The enigmatic scenes self-reflexively raise questions about the boundary between fact and fiction but can also be related to socio-political developments. Watch this emotional video of the artist in the middle of his exhibition at the Albertina Museum. What I am interested in is that moment of transcendence, where one is transported into another place, into a perfect, still world. The retrospective at the Albertina comprises a total of nine groups of works, created over the last three and a half decades and conceived serially.
The most recently completed group of works Eveningside portrays an unheroic image of a fictional small town of the same name in atmospheric black and white. Following Cathedral of the Pines and An Eclipse of Moths , Eveningside represents the final part of a trilogy through which the artist examines the social decline of society far removed from the American dream.
Production photographs taken in parallel illustrate the highly elaborate process of design, culminating in an extensive post-production process in which the final photographs are assembled from multiple shots.
