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The craft of tapestry involves handweaving intricate designs with woollen thread on a cotton-based fabric. These threads are delicately and deftly woven in a cross-ply fashion. Once a flourishing craft in Kashmir, particularly in the old city areas, tapestry weaving witnessed a decline during the political unrest of the s.
Small workshops in the old city were shut down, disrupting the continuity and sharing of knowledge among tapestry artisans in the valley. Muhammad Yasin Mir from Fathehkadal is a master tapestry artisan training the women at Baitul Meeras. He recalls working in a workshop where men and women trained and practiced tapestry art until the s. Multiple centres in various neighbourhoods eventually closed as the situation in the valley deteriorated in the early s.
The project aims to train women, from age 20 to 50, in the tapestry craft over the course of a year. After completing the year-long training, about 50 of the women will work part-time with Shehjar, a local brand that sells products of artisans online and in exhibitions.
Other artisans will be encouraged to start their own home-based enterprises. The women learn to make tapestry rugs, shawls, wall hangings and cushion covers. She has been working at the centre for a year now and shares her knowledge and skills with younger women artisans. Subeena Bano from Aalikadal has been doing tapestry work full-time for the last two years, having learned the craft from her aunt as a child.