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T he year was a highly dramatic one for the film industry, and for Korea as a whole. Most notably, the impeachment of President Park Geun-hye led to her removal from office on March Two months later, Moon Jae-in was elected the new President. Park had a notoriously turbulent relationship with the local film industry, compiling a secret blacklist of filmmakers and artists to be denied funding from the government, and directing an attack on the leadership of the Busan International Film Festival.
The election of Moon, who enjoys a strong relationship with the film industry, signaled the start of a new era in which the government is expected to provide much more support to local filmmakers. Many of the year's biggest hits also reflected this new mood. Following a winter in which massive street demonstrations led to the ushering in of a new political era, the summer release A Taxi Driver revisited the city of Gwangju in , in which demonstrations of a similar size were brutally put down by military forces.
Thanks in part to the great acting of Song Kang-ho, the film sold over 12 million tickets. Six months later, another film provided an in-depth look at late 20th-century political history.
The biggest hit of all, however, was the first installment in what looks to be a new local franchise. Along With the Gods: The Two Worlds is based on a popular local webtoon, and depicts the various tests and trials that await humans when they reach the afterlife.
