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Many were employed at court, but they were also spread throughout the country. They were carefully trained and frequently accomplished in the fine arts, poetry, and prose, and although they were of low social class, they were respected as educated artists. Aside from entertainment, their roles included medical care and needlework.
Kisaeng play an important role in Korean conceptions of the traditional culture of the Joseon. Although the names of most real kisaeng have been forgotten, a few are remembered for an outstanding attribute, such as skill or loyalty. The most famous of these is the 16th century Hwang Jini. Throughout the Goryeo and Joseon periods , kisaeng held the status of cheonmin , the lowest in society.
They shared this status with other entertainers, as well as butchers and slaves. Status was hereditary, so the children of a kisaeng were also of cheonmin status, and daughters automatically became kisaeng as well. Kisaeng could only be released from their position if a hefty price was paid to the government; this could only be done by a wealthy patron, typically a high government official.
Many kisaeng were skilled in poetry, and numerous sijo composed by kisaeng have survived. These often reflect themes of heartache and parting, similar to poems composed by scholars in exile. Kisaeng attached to a local government office were known as gwan-gi , and their status was differentiated from that of the common slaves also attached to the office. They were separately entered on the census rolls.
