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The book offers very useful definitions of love, Karin Dreijer is explaining. More than just the emotional goo that fills our private lives, love can be a political force. They pause for long stretches to locate the right word.
With that comes a sort of sadness, which I think is much more present [on this album]. A new Fever Ray album is a rare occurrence. The pandemic provided Dreijer with a different headspace for their third album, Radical Romantics. That is something I really have had time to practise during the last years, to be still with a feeling.
An album about love might seem a bit pedestrian in comparison. The music moves slower, too. Brother Olof brings his inimitable palette of drums, synths, bongs and squeaks, pulling instruments together in endlessly satisfying knots on Shiver, New Utensils and Kandy. While falling! The lovesick dynamic comes to life on Kandy, a sensual slow dance with a Knife-esque shimmer.
In the video Dreijer plays two characters: one the monstrous love interest, with stringy blond hair arranged in a tonsure, who does a lapdance for the other Karin, a sweet-seeming office drone in a bald cap. Therapy was one experience behind this questioning album. Dreijer allows a tiny smile. But it can be so amazingly amazing, short term. You get very angry and frustrated when nothing is done about those things.