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Television since its inception has provided women with a unique voice, and the sitcom in particular has allowed comedy writers and actors an environment in which to tweak societal expectations of what the role of woman should and could be. Perhaps most important they depicted a definite place for the feminine outside the domestic sphere.
In the sitcom cooler heads prevailed, and no head tended to be cooler than that of the female protagonist. She brought a unique, humanistic perspective that none of her masculine counterparts could offer. Mary Richards, for example, typically wound up in her conundrums because she was concerned about the well being and dignity of her peers: Ted Baxter was always an idiot, but Mary never forgot that idiots are still people.
It was this gentle morality that made the comedy better. Too often comedy can lapse into the realm of the vicious and cruel or, at the very least, the apathetic. Bringing the feminine into the sitcom forced writers to take higher ground and move beyond irony into the more curative realm of satire.
Even screen legends like Loretta Young and Doris Day were able to keep the embers burning with a television show long after their box office days had ended.