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The play depicts the sexual vanity of a rich, ageing beauty, her troubled relationship with her adult son, and drug abuse in British society circles after the First World War. The son's cocaine habit is seen by many critics as a metaphor for homosexuality, then taboo in Britain. Despite, or because of, its scandalous content for the time, the play was Coward's first great commercial success. The play premiered in November in London and played in three theatres until June , followed by a British tour and a New York production in — It has enjoyed several revivals and a film adaptation.
In the years after the First World War, pairings in England of older, upper-class women and younger men were common. Forster paid no attention, and Coward immediately went across and embraced Grace, as a silent rebuke to the young woman who had made the remark. The episode led him to consider how a "mother—young son—young lover triangle" might be the basis of a play. To add to the dramatic effect of his play, Coward included a further source of conflict between the mother, Florence, and son, Nicky.
Coward's friend and biographer Cole Lesley records, "this came easily to him from his unlikely pre-occupation … with the subject of drug addiction". Until the English theatre was subject to official censorship; plays had to be licensed by the Lord Chamberlain's Office. He persuaded Cromer that the play was "a moral tract", and despite reservations expressed to the Chamberlain by King George V and others, Cromer granted a licence.
Leading London managements considered staging the piece, but some shied away from the scandalous content, and others did not want Coward to play the lead. As well as co-starring, Coward directed the play. The production was well received for its passionate acting and became a sensation because of its scandalous subject matter. Coward has yet done in playwriting. Produced by Joseph P. Bickerton, Jr. Coward and Basil Dean directed and the cast was: [ 29 ].
