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Over the last decade, Los Angeles-based twin powerhouses, The Haas Brothers, have upended the worlds of art and design with their biomorphic, hand-crafted objects. Striking, adorable, and luxuriant in equal measure, their horned, furry footstools and erotically alien lamps became go-to decor picks for the rich and tasteful, earning their studio near-instantaneous success after its founding in With a high-profile clientele ranging from from Lady Gaga to Donatella Versace, these twins became globally renowned for their off-kilter breed of bestial whimsy, and by their Art Basel debut in winter of , they were beginning to take the world of fine art by storm.
On September 12th, the dynamic duo made their New York City debut at Marianne Boesky Gallery in Chelsea with a new body of beaded sculptural objects, ranging from intimate to utterly towering in scale. They've extended their family of fabricators to the town of Lost Hills in California, where they employ dozens of migrant women in need of work, all of whom have had their hand in producing the joyously colorful works on view at Boesky. Loney Abrams: In the show opening tonight at Marianne Boesky, there's a large figure that's made of both marble and beadwork.
Nikolai Haas: Right. When we make an art piece it doesn't usually start with an aesthetic, it usually starts with an idea or philosophy. How do you execute something emotional rather than physical? For us, the whole idea behind the show is that the work is fabricated by women that we've engaged to hopefully better their community by the work that we're doing together, while also bettering ourselves and our practice.
That piece in particular is called The Madonna. It involves two different types of beadwork that happens in two completely different places, in South Africa, and the Lost Hills in California. And the stone is done in Portugal.
