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And as a portrait, it was far from flattering. Instead, Kominsky-Crumb funneled her deepest insecurities, most embarrassing memories and most repulsive traits into her comic alter-ego, yielding a character who was self-loathing, vain, horny, ravenous and rude. In another, Goldie stares sheepishly at the viewer mid-masturbation, a moist carrot and cucumber resting at her side. The underground scene infused its graphics with sex, drugs and radical politics, but rarely included fleshed-out depictions of women.
The two hit it off, soon embarking on life as creative and romantic partners. Since , they have collaborated on comics that relay the details of their daily lives. For over 40 years, Kominsky-Crumb has chronicled agony and ecstasy through brutally honest portraits. In honor of her Zwirner exhibition, we reached out to Kominsky-Crumb to tell her story. What was your family like? My family was really barbaric.
My father was a wannabe criminal. He was Jewish. So he was a total loser. We lived in an affluent, very Jewish neighborhood but never had any money, so it was constant stress and torture. My parents had no patience for children, but I had very nice grandparents. I lived with them for the first five years of my life. But for the most part, I was an outcast.
I was depressed and frightened. So, because of that, I was the best student, behaved really well, and was constantly scared about what would happen if I did something wrong. When I was 8 years old, I realized my parents were not in control of anything, and I had to watch out for myself. I learned everything from reading and watching TV.
