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Olafur Eliasson Colour mirror wheel , The flow of colors across the mirrors, along both horizontal rows and vertical columns, presents a regular progression of hues along the spectrum of visible light, a subject that Eliasson has been exploring for many years through his Colour experiment paintings, large-scale installations, and other works. Carrera marble 9. This flux emerges as strange and unexpected encounters. During the s, the artist produced a series of works using cow udders, which drew on the animals' rich store of symbolic associations across cultures to investigate the construction of sexuality and subjectivity.
Richter first garnered worldwide recognition with his vast, nightmarish paintings of congregations and episodes from inner city life, as drawn from current events. Rodney Graham Untitled , Since the s, Graham has grown his diverse practice to encompass photography, painting, sculpture, film, video and music. Casting himself as a succession of motley characters, Graham inhabits different personae, genres and art forms. Math Bass Newz! Bass deploys and constantly reorganizes this vocabulary in a practice that evolves through self-reflection.
Seeming to refer to the evershifting nature of signification or personality, Bass points to its frequent instability and situational flexibility. The loads each figure carries is true to scale, forcing the viewer to confront society's unending consumption and the burden that places upon humanity and our environment.
Though their faces are either hidden or expressionless, their presence is not unnoticed or avoidable. Devan Shimoyama Untitled , Silk flowers, beads, and rhinestones on fabric with steel mount and frame 92 x x 3 inches Shimoyama will debut his largest hoodie sculpture to date at Art Basel referencing not only slain teenager Trayvon Martin, but all of the boys and men who can identify with him not only in his final moments of life, but also in the moments after his death in which his identity became skewed and shifted into something other through the media, ultimately reduced to an emblematic two dimensional version of a person.