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Last year the film industry reflected on itself in My Week with Marilyn , this week we have Hitchcock. We know Hopkins is a pro, but in the course of their careers all actors get parts that seem completely wrong. In the case of Richard Burton, for instance, almost every part in his later years was a disaster. Father Lamont in Exorcist II? All made-up and padded up, Hopkins still bears little resemblance to the portly Master of Suspense.
He was very far from being a jolly fat man, while his mischievous sense of humour showed distinct traces of sadism. His relationship with his wife, Alma Reville, was one of utter dependency, his fantasy life bound up with a series of leading ladies. Beyond all this, Hitchcock was one of the most brilliant directors ever, with an ability to fashion films of psychological insight and formal inventiveness from sheer pulp.
Vertigo is a Gesamtkunstwerk in the guise of a thriller, but films such as Psycho , North by Northwest , and the second version of The Man Who Knew Too Much , are also filled with remarkable innovations.
Instead, we have a competent, watchable production that never gets beyond the level of a good quality tele-movie. In order to finance the movie the Hitchcocks had to draw on their own funds, meaning they could not afford a flop. Already under pressure, Hitchcock was tortured by the thought he might lose his wife and professional mainstay, while struggling to deal with the many problems thrown up by the project. This brilliant conclusion is bitten off at the end of a film which spends most of its time in soap opera territory.
