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The poem is dedicated to Carl Solomon. Ginsberg began work on "Howl" in In the Paul Blackburn Tape Archive at the University of California, San Diego , Ginsberg can be heard reading early drafts of his poem to his fellow writing associates. It is not true that "Howl" was written as a performance piece and later published by poet Lawrence Ferlinghetti of City Lights Books. This myth was perpetuated by Ferlinghetti as part of the defense's case during the poem's obscenity trial. On October 3, , Judge Clayton W.
Horn ruled that the poem was not obscene. According to Ginsberg's bibliographer and archivist Bill Morgan , it was a terrifying peyote vision that was the principal inspiration for Howl. This occurred on the evening of October 17, , in the Nob Hill apartment of Sheila Williams, Ginsberg's girlfriend at that time, with whom he was living. Ginsberg took notes on his vision, and these became the basis for Part II of the poem. In late and , in an apartment he had rented at Montgomery Street in the North Beach neighborhood of San Francisco, Ginsberg worked on the poem, originally referring to it by the working title "Strophes".
A short time before the composition of "Howl", Ginsberg's therapist, Dr. Philip Hicks, encouraged him to realize his desire to quit his market-research job and pursue poetry full-time and to accept his own homosexuality. Ginsberg showed this poem to Kenneth Rexroth , who criticized it as too stilted and academic; Rexroth encouraged Ginsberg to free his voice and write from his heart.
He was under the immense influence of William Carlos Williams and Jack Kerouac and attempted to speak with his own voice spontaneously. Ginsberg experimented with this breath-length form in many later poems.
