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But they are always works of art. An important point to keep in mind as you look at this watercolor by the Austrian Expressionist artist Egon Schiele.
They were largely disconnected from the mortal world and therefore were not subject to its perils. Their white as marble complexion, their gaze, sometimes disconnected altogether, sometimes addressing nobody in particular.
Their faces expressed no emotion. The figure in this painting is half dressed. Her blanket draped over her arms, covering her hands and feet, her head is bowed, her left arm twisted across her body shielding her lower torso — she is clearly not the disengaged nude of Bouguereau or Botticelli.
Her posture screams with emotion. Is it shame? Is it despair? Schiele further isolates her by depriving her of context. There is further tension in the composition and Schiele achieved it by shifting the figure off center and to the left, and by tightly cropping the space around her.