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The essential function of art is moral. Not aesthetic, not decorative […] But moral […] a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind. In doing so, Lawrence rendered himself and his writings subject to criticism and censorship on the grounds of ethical irresponsibility. The fact that repetition takes place indicates that a trace of the ecstatic experience has remained in the unconscious — a trace of a certain illumination or an over-worldly vision provided by the death instinct inherent to jouissance.
Moreover, in his seminar Ethics of Psychoanalysis , Lacan explains that the death drive is responsible for a pure, absolute Act — a spontaneous, free, unrestrained traumatic rupture from which absolute decisions or reactions are made.
Regrettably, this has allowed a disengagement with the environment and a loss of cosmic awareness. He does not merely address the issue, but opens a space through language whereby man can reconnect with the rejuvenating powers of sexuality and nature.
However, his bold aesthetic which harbors the intent to arouse ethical responsibility through reviving spirituality has been misconstrued. In fact, the modern world then and now has to a large extent failed to ignite a renewed awe for the planet and living matter, and has instead encouraged the illusion of immortality, the result being a sickly, incurable hollowness.