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British Film Institute. Includes bibliographical references and index. ISBN 0———8 pbk. Motion pictures—China. Motion pictures—Taiwan. Lu, Hsiao-peng. C4T65 Welcome Danger. Harold Lloyd Corporation, 38 Harold Lloyd Corporation, 40 The late director Zhang Nuanxin in 93 Director Zhang Yimou Zhang Yimou, Sheldon Hsiao-peng Lu with actor Li Baotian in City of Sadness, directed by Hou Hsiao-hsien, Zhang Songbai Peter Wang warns his drama class that to be actors, Director Ang Lee The Wedding Banquet, directed by Ang Lee, The Killer, directed by John Woo, Broken Arrow, directed by John Woo, Jackie Chan, star and director of Police Story, Jackie Chan in Armor of God, Chen Kaige, Actress Ruan Lingyu — The five elements in early Chinese cosmology The partici- pation of film scholars from all over the country as well as the presence of colleagues and students at the University of Pittsburgh made the conference an especially meaningful and productive event.
I am also indebted to my colleagues and the staff at the University of Pittsburgh for making inquiries, providing advice and wisdom, and helping me put things in order before, during, and after the conference. I extend my gratitude to Dianne F. Dakis, Lucy Fischer, Elizabeth K. As this book evolved, I received good advice, encouragement, and constructive criticism from a number of people. All the contributors of the volume collaborated with me with patience and trust. I personally have learned a great deal from each one of their essays.
Gina Marchetti, Steve Fore, June Yip, Wei Ming Dariotis, and Eileen Fung, who were not present at the conference, readily sent their essays to me at my request, and their con- tributions have enriched the content of the book. May M. Wang, who col- laborated with me on the bibliography and Chinese glossary, also deserves a note of thanks.
Since , I have been supported by the University of Pittsburgh, mostly through the China Council, to travel and conduct research in China every summer. My Junior Faculty Research Leave in fall released me from teaching duties and gave me time to finalize the manuscript. A combined research grant from the Office of the Dean of the Faculty of Arts and Sciences and the China Council made it possible for me to travel to the British Film Institute in London to obtain relevant research materials in October To the above individuals and institutions I owe a debt of gratitude.
