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Analogies push the boundaries of knowledge. The recalling of a lost memory shared by a group of people is an extremely powerful act. It forces us to take inventory of the things we trade and replace in pursuit of survival. Memory is wealth and participating in its conservation is a gift. At the time it was the anniversary of her testimony and now as I write this, in November, I am reminded of this being the anniversary of her death at only thirty-six years old. Novelist Alice Walker perfectly exemplified the practice of calling back what has been lost by uncovering the forgotten legacy of author and anthropologist Zora Neale Hurston.
I am thankful for Walker reminding us of Hurston, especially as Zora expanded the narrative of womanhood, independence, love, and legitimized our sound s and language s without permission from the dominant filter. Her work and that of so many others continuously provide inspiration to contribute to the historical trans narrative in the United States, and to embed that particular shared memory into the collective Black consciousness with an interdisciplinary examination of the gendered, racialized violence towards Black women through sound, sexual assault, religion, biology, and capitalism.
In a video, during an introduction to his choreography Revelations , he states:. The first ballets [that I choreographed] were ballets about my Black roots. And I had very intense feelings about all those things … all of this is a part of my blood memory … very intense, very personal [stuff]. This kind of shared experience is cultural and cyclical and not limited by genetic relation. As Ailey illustrated, sound is a vehicle for this collection of memories. Sound carries memories and travels fastest through water.
Since humans are mostly water, we are sound. In my own work as a composer, scholar, and ethnomusicologist, I, too, have been hypnotized by the mysterious power of memory and sound. There is an intuitive process in resurrecting old manuscripts of Black composers and Creole folk tunes.
