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Roger Vail American, b. I had already been making photographs at night with a 4 x 5 later 8 x 10 camera which involved time exposures. I went to a carnival to shoot the facades. While there I decided to see what would happen it I made a time exposure of the ferris wheel in question.
First sight of the negative was thrilling so I decided to make more. Most of the fun was in not knowing what the end result would look like. I made these into large silver prints throughout the seventies. In the nineties I learned to make platinum-palladium prints and after printing one of the older negatives decided to do them again specifically for that medium.
All the light is ambient light, with the exposures usually around 3 minutes hence the ghostly shadows of people moving in the foregrounds of some of the photographs. I found out early on that virtually all carnival rides last around 3 minutes. So I would adjust the F stop accordingly to get the maximum rotation and therefore pattern.
I am in awe of this extended investigation. What a passion for what is coming on 45 years working on one idea. All the signs are there. The concentric circles with no beginning and no end. And all of this done through serendipity, a fortunate happenstance, with the artist not knowing exactly what each negative will bring, but ultimately thrilling when exposure time — overseer of all things — is right.