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Entertainment Geekly is a weekly column that examines pop culture through a geek lens and simultaneously examines contemporary geek culture through a pop lens. So many lenses! To clarify the headline above: I liked True Detective and Fargo. They were well-acted, well-shot, well-dialogued. Frozen Norman Rockwell—but if you watched them live when they aired, then you knitted together an episode viewing experience representing a snapshot of Why TV Drama Is Interesting Now.
True Detective and Fargo are the foremost exemplars of a new way of producing television. And the two shows rhyme somehow. They both have severe third-act time jumps; they both have an attention-grabbing long take action scene; and they both so badly want to say something about something.
Fargo is funnier and True Detective is sadder and True Detective is sexier and Fargo has actual female characters. If you watched them, you watched two of the best dramas of Hannibal blows them both out of the water. I resisted Hannibal for a long time. You probably have, too, judging by the ratings.
The reasons for not watching Hannibal include:. The prospect of another moody murder porn show just seemed boring, in the era of The B ridge and Broadchurch and Top of the Lake and constantly resurrected The Killing and all those still-viable CBS dead-girl-of-the-week procedurals. The prospect of another show about an unusually gifted crime scene investigator also seemed boring, in the era of The Mentalist and two Sherlock Holmes shows and Bones.
