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I first came to Cienfuegos , Cuba, on an archival grant a couple months before the pandemic hit with my child, Ami. They name her la Venus Negra. One colonist takes her home and gives her food and clothes and expects her to work for him. She nestles in a corner refusing domestic work and refusing to eat. Finally, alarmed at the prospect of her death by starvation, the colonist deposits her back on Cayo Loco to live with her only companions, a white dove and a blue heron.
However, in the original legend—it took me a few reads to realize—the protagonist is never said to be a Siboney woman.
She is alone on the small island, mute, and nude except for bracelets of snail shells and seashells. She is always mute, nude, beautiful; she has one hundred thousand names and, in various colonial tongues, she is called Venus. In Tradiciones y leyendas de Cienfuegos , Venus appears during a vignette about the French colonist Don Luis de Clouet—a historical person given title by the Spanish Crown to found Cienfuegos with a band of settlers from Bordeaux, Mexico, Louisiana, etc.
Spain had just abolished human trafficking from Africa to Cuba by treaty with England in With challenges to slavery mounting and the embers of insurrection in Haiti still hot, subsidized white settlers were one answer to the question: Who would work the sugar mills and cane fields? It would still be many years before Spain legally abolished enslavement in Cuba, the second to last plantation society in the Americas to do so, in In —the year the Spanish Marina purchased Cayo Loco—Venus, now an elder, secretly enters a home in town and is seen by a young boy, Pedro Modesto.
